Jazz and American modernism (Chapter 6) - The Cambridge.
The Cambridge Companion to American Modernism The Cambridge Companion to American Modernism provides a comprehen-sive and authoritative overview of American literary modernism from 1890 to 1939. These original essays by twelve distinguished scholars of international reputation offer critical accounts of the major genres, literary culture, and.
Walter Kalaidjian’s Cambridge Companion to American Modernism reads like a most valuable contribution to the knowledge and understanding of a notion that can apply to a style, a movement, a project, or a whole field of production. This very dense volume of 12 critical essays tries to pinpoint the major features of a period that expands roughly from 1890 to 1939.
Jed Rasula Note: This is the opening section of an essay published in the Summer 1995 (Volume 7, Number 2) issue of American Literary History. An interesting discrepancy now prevails in the world of contemporary American poetry: the activity that occasioned the most conspicuous scholarly attention during the past decade remains largely unacknowledged in other registers of the poetic community.
An abrupt break in the more conventional modes of artistic expression, for many, marks the advent of modernism in the early twentieth century. However, as Jed Rasula's alternative history shows, modernist aesthetics owe a significant debt to techniques and styles pioneered and established throughout the nineteenth century. An ambitious inter-arts exploration of patterns between one generation.
Jed Rasula has written a unique, carefully imbricated, and rewarding book that takes part in the poetic tradition it describes. This Compost is the first fully developed, carefully argued attempt at 'Green theory' in relation to American poetry. —Paul Naylor, author of Poetic Investigations: Singing the Holes in History.
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This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity’s restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage.